Tuesday, April 21, 2015
The forgotten aspects of art history will always be the most intriguing. Digging up the dead storylines of art history, whether in the distant or the recent past, will never end, mostly thanks to forces that buried the facts, if not the bodies, for whatever agenda. Artists and Prophets: A Secret History of Modern Art 1872-1972 at the Schirn Kunsthalle Frankfurt resurrects German visionaries and Jesus wannabes from the late 19th and early 20th centuries to look at how their exploits and artistic creations helped shape the course of German and European modern art. It also shines light on how the impact of those figures fell into obscurity as another casualty of the ideological war waged by that most unfortunately unforgettable of German messianic aspirants — Adolf Hitler. Please come over to Picture This at Big Think to read more of "Vision Loss: The Forgotten German Prophets Secretly Behind Modern Art."
American Impressionism’s often been seen as a pale copy of the French Impressionism that flowered in the late 19th century. Although American Impressionists early on copied their French counterparts (and even made pilgrimages to Monet’s Giverny garden and home), the exhibition The Artist's Garden: American Impressionism and the Garden Movement, 1887–1920, at the Pennsylvania Academy of the Fine Arts through May 24, 2015, proves that American Impressionism quickly blossomed into something distinct — and distinctly American — by the turn of the 20th century. Capturing aesthetically a moment of contradictions as American nativism threatened to close borders while women’s suffrage struggled to open doors, The Artist’s Garden demonstrates the power of flowers to speak volumes about the American past, and present. Please come over to Picture This at Big Think to read more of "Flower Power: Women, Gardens, and the Dawn of American Impressionism."
Of the many concepts of Judaism artist Mark Rothko took to heart, the idea of tikkun olam, Hebrew for “repairing the world,” penetrated the deepest. In Mark Rothko: Toward the Light in the Chapel, academic and a cultural historian Annie Cohen-Solal cuts to the heart of Rothko’s life and art and sheds new light on how both seemingly had to end at The Rothko Chapel (shown above), the Houston home of Rothko’s final works that he tragically didn’t live long enough to see himself. In this tightly focused new biography, Cohen-Solal shows us both how The Rothko Chapel culminates Rothko’s life-long mission to repair his world and how it continues to serve as a light of hope in our darkening world. Please come over to Picture This at Big Think to read more of "Repairing the World: The Road to The Rothko Chapel."
Few American cultural institutions stared as deep into the yawning, austerity-driven abyss of large-scale deaccessioning as The Detroit Institute of Arts. When the City of Detroit declared bankruptcy in 2013, vulturous creditors circled the DIA’s collection, estimated worth (depending on the estimator) of $400 million to over $800 million. Some experts see signs of a Detroit comeback, however, but one very visible sign is the new DIA exhibition Diego Rivera and Frida Kahlo in Detroit, a showcase of the city’s ties to Mexican artists Frida Kahlo and Diego Rivera as well as a tribute to Kahlo’s and Rivera’s own artistic comebacks. Few exhibitions truly capture the spirit of a city at a critical moment in its history, but Diego Rivera and Frida Kahlo in Detroit is a show of comebacks that will have you coming back for more. Please come over to Picture This at Big Think to read more of "Comebacks: Frida Kahlo, Diego Rivera, and the City of Detroit."
The attack at the Bardo National Museum in Tunis, Tunisia, on March 18, 2015, was an attack on civilization itself. Not just Tunisian civilization or Western civilization or Islamic civilization or Christian civilization — ALL civilization. ISIS may not have been directly involved in the Tunisian attack, but its iconoclastic, its “year zero” philosophy certainly was present. The fact that these attackers targeted tourists seeking out ancient civilizations rather than the artifacts of those ancient civilizations makes this latest tragedy even more chilling. The Bardo National Museum attacks may one day emerge as the first battle in the ultimate fight for civilization’s survival. Please come over to Picture This at Big Think to read more of "Death at the Museum: Tunisia, ISIS, Civilization, and Survival."